She's known best perhaps for her giant spider sculptures...
Her sculptures of organic soft forms imply landscapes, clouds, and of course fleshy ambiguous body parts. It's intimate and sexual, and was a reaction against the hard edged geometry of minimalism back in the day.
Her work later moved from large marble/ plaster/ latex sculptures to cells...they are these little enclosed rooms made from found and sculpted objects. Little domestic settings you peer into...the artifacts speaking of memory and vulnerability.
This quote was embroidered on a bedspread in one of her cell rooms...thanks, Louise.
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